建築 · 研究 · 繪圖

Threshold

與之相參開間

從空間的交接處，理解建築。

我是楊彥之，現於魯汶大學攻讀建築學博士。我研究過渡空間如何影響人在空間之間的行進、觀看與停留。

進入研究 ↓

Spatial study · Passage01 / 03

Shift the view43°

Portals: 4
Clear width: 1.31 u
Plane spacing, back to front: 1.00 / 1.00 / 1.00 u

Column section · width × depth: 0.57 × 0.06 u

Passage · Enfilade 齊廊

Enfilade aligns a sequence of openings so that the eye can travel across several spaces. Here, four openings and three equal intervals establish a continuous line of sight. The route follows this alignment, linking seeing with moving forward.

Fig. 01 · A contemporary spatial study, read alongside classical Chinese writings on landscape painting and garden making.

©︎ yanzhiyang, 2026

Model data & references

u 是模型的相對單位。圖中尺寸為本圖設計比例，不是公尺，也不代表古建築實測尺度。

Three arrangements · dimensions in u
State	Portals	Opening	Column width × depth	Overall portal width	Plane spacing	Max. span

All columns share a 0.57 × 0.06 u section (width × depth, rounded). Overall portal width equals the clear opening plus two column widths. In Pause, the rear two whole portals shift sideways without changing their column sections.

Enfilade: V&A, Inside the Baroque palace

Classical reference

「山水有可行者、有可望者、有可遊者、有可居者。」

Guo Xi, compiled by Guo Si, Linquan Gaozhi Ji, ‘Shanshui xun’ (Song dynasty). Read the source

This passage discusses landscape painting. It is introduced here as a reference for moving, looking and dwelling.

「深奧曲折，通前達後，全在斯半間中，生出幻境也。」

Ji Cheng, Yuanye, vol. 1, ‘Liji’ (Laying out foundations), ‘Tingtang ji’ (Hall foundations), Ming dynasty. Read the source

In his discussion of hall foundations, Ji Cheng describes how a half-bay can connect front and back through depth and turns. The passage offers a way to consider the scale, routes and connections of transitional spaces.

Passage, Pause and Room are the contemporary model’s three labels. Their sequence and numerical proportions are designed for this drawing and are not taken from either classical text.

Yipu, Suzhou · 1:5 spacing and paired views